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I love Tango! It is the way my boyfriend and talk when we can’t be together and want to see each other but Tango seems to be having some real glitches lately that I hope get fixed soon. Even though all my notifications are set it tells me that I can’t make or receive calls sometimes and I have to go to my notifications and turn it off and back on again. Even after doing that I still don’t get a sound when a message is sent to me. I’ve checked all volume controls and they are on and all the way up.
Please help!! I hate missing messages and calls because of this.
Tango is a partner dance, and social dance that originated within the 1880s along the Río de Rio de la Plata, the natural border between Argentina and Uruguay. it had been born within the impoverished port areas of those countries, with enslaved African populations.
The tango is that the result of a mixture of African Candombe, Spanish-Cuban Habanera, and Argentinian Milonga. The tango was frequently practiced within the brothels and bars of ports,
where business owners employed bands to entertain their patrons with music. The tango then spread to the remainder of the planet. Many variations of this dance currently exist around the world.
On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to incorporate the tango within the UNESCO Intangible Cultural Heritage Lists
Tango is a dance that has influences from African, Native American and European cultures. Dances from the candombe ceremonies of former African slave peoples helped shape the fashionable day tango.
The dance originated in the lower-class districts of Buenos Aires and Montevideo. The music derived from the fusion of varied sorts of music from Europe.
The words “tango” and “Tambo” round the River Plate basin were initially wont to ask musical gatherings of slaves, with written records of colonial authorities attempting to ban such gatherings as early as 1789.
Initially, it had been only one of the various dances, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were full of many thousands of European immigrants.
Culture Shock was very apparent when the tango hit the new world within the 1900s the way of life was very conservative, the tango wasn’t considered a conservative dance by any means.
The tango was seen as extremely sexual for the culture of 1900. The tango also brought parts of cultures from Africa and also from Europe, both things that were new for the western world.
Many Buenos Aires city neighborhoods have their particular tango history like for instance La Boca, San Telmo, or Boedo. At Boedo Avenue Cátulo Castillo, Homero Manzi, and other singers and composers want to meet at the Japanese Cafe with the Boedo Group.
In the early years of the 20th century, dancers and orchestras from Buenos Aires traveled to Europe, and therefore the first European tango craze happened in Paris, soon followed by London, Berlin, and other capitals. Towards the top of 1913, it hit my City within the U.S. and Finland. In the U.S., around 1911, the word “tango” was often applied to dances during a 2
4 or 4
4 rhythm like the one-step. The term was fashionable and didn’t indicate that tango steps would be utilized in the dance, although they could be. Tango music was sometimes played but at a rather fast tempo. Instructors of the amount would sometimes ask this as a “North American tango”, versus the so-called “Argentine Tango”. The Tango was controversial due to its perceived sexual overtones and, by the top of 1913, the dance teachers who had introduced the dance to Paris were banished from the town. By 1914, more authentic tango stylings were soon developed,[which?] alongside some variations like Albert Newman’s “Minuet” tango.
In Argentina, the onset in 1929 of the good Depression, and restrictions introduced after the overthrow of the Hipólito Yrigoyen government in 1930, caused tango to say no.
Its fortunes were reversed as tango became widely fashionable and a matter of national pride under the govt of Juan Perón. Taquito Militar by Mariano Mores played a monumental part within the rise of the tango and a serious effect on Argentinian culture as an entire. This song was premiered in 1952 during a governmental speech of President Juan D. Perón,
which generated a robust political and cultural controversy between different views of the concepts of “cultured” music and “popular” music, also because of the links between both “cultures”.
Tango declined again within the 1950s, as a result of economic depression and therefore the banning of public gatherings by the military dictatorships; male-only Tango practice—the custom at the time—was considered “public gathering”. That, indirectly, boosted the recognition of rock and roll because, unlike Tango, it didn’t require such gatherings.
In 2009, the tango was added to the UNESCO Intangible Cultural Heritage Lists.
There are two predominant theories regarding the origin of the word “tango.” The African culture is credited by some scholars because of the creator of this word. it’s theorized that the word evolved from the Yoruba word, “shangó,”
which refers to the Nigerian God of Thunder. This theory suggests that the word “shangó” was morphed through the dilution of the Nigerian language once it reached South America via slave traffic.
This theory is paralleled by another theory that believes that “tango” springs from the Spanish word for drum, “Tambor.”
This word was then mispronounced by Buenos Aires’ impoverished and uneducated inhabitants to become “Tambo,” then ultimately leading to the common “tango.”
it’s also theorized that the word “‘tango” springs from the Portuguese word “danger,” which suggests “to play an instrument .”
Another Portuguese word, “tangomão,” maybe a possible predecessor of the word “tango.” The word is that the combination of the verb “danger” (to touch) with the noun “mão” (hand), and resulted within the verb “to play an instrument with one’s hands.
The tango consists of a spread of designs that developed in several regions and eras of Argentina also as in other locations round the world. The dance developed in response to several cultural elements, like the crowding of the venue and even the fashions in clothing.
The styles are mostly danced in either open embrace, where lead and follow have space between their bodies, or close embrace, where the lead and follow connect either chest-to-chest (Argentine tango) or within the upper thigh, hip area (American and International tango).
Different sorts of tango are:
Tango Oriental Uruguayan tango
Tango camacupense (Angola)
Tango milonguero (tango apilado) (see also “Milonguero”)
Tango nuevo (new tango)
These are danced to many sorts of music:
Electronic tango-inspired music
“Alternative tango”, i.e. music that’s an alternate to tango, or non-tango music employed to be used in tango-inspired dance
The milonguero style is characterized by a really close embrace, small steps, and syncopated rhythmic footwork. it’s supported the petitero or caquero sort of the crowded downtown clubs of the 1950s.
In contrast, the tango that originated within the family clubs of the suburban neighborhoods (Villa Urquiza/Devoto/Avellaneda etc.) emphasizes long elegant steps, and sophisticated figures. during this case the embrace could also be allowed to open briefly, to allow execution of the complex footwork.
The complex figures of this style became the idea for a theatrical sort of tango seen within the touring stage shows. For stage purposes,
the embrace is usually open, and therefore the complex footwork is augmented with gymnastic lifts, kicks, and drops.
A newer style sometimes called tango nuevo or “new tango”, has been popularized in recent years by a younger generation of dancers. The embrace is usually quite open and really elastic,
permitting the leader to steer an outsized sort of very complex figures. This style is usually related to those that enjoy dancing to jazz- and techno-tinged “alternative tango” music, additionally to traditional tango compositions.
Tango de Salon (salon tango)
Main article: Argentine tango
Main article: Argentine tango
Tango canyengue may be a rhythmic sort of tango that originated within the early 1900s and remains popular today.
it’s one among the first roots sorts of tango and contains all fundamental elements of traditional Tango from the River Plate region (Uruguay and Argentina). In tango canyengue the dancers share one axis, dance during a closed embrace, and with the legs relaxed and slightly bent.
Tango canyengue uses body dissociation for the leading, walking with firm ground contact, and a permanent combination of on- and off-beat rhythm. Its main characteristics are its musicality and playfulness. Its rhythm is described as “incisive, exciting, provocative”.
The complex figures of this style became the idea for a theatrical sort of Tango seen within the touring stage shows. For stage purposes, the embrace is usually very open, and therefore the complex footwork is augmented with gymnastic lifts, kicks, and drops.
A newer style sometimes called tango nuevo or “new tango” was popularized after 1980 by a younger generation of musicians and dancers. Ástor Piazzolla, composer and virtuoso of the bandoneón (so-called “tango accordion”) played a serious role within the innovation of traditional tango music.
The embrace is usually quite open and really elastic, permitting the leader to initiate an excellent sort of very complex figures. This style is usually related to those that enjoy dancing to jazz- and techno-tinged, electronic, and alternative music inspired in old tangos, additionally to traditional Tango compositions.
Tango nuevo is essentially fueled by a fusion between tango music and electronica (electro tango [es]), though the design is often adapted to traditional tango and even non-tango songs. Gotan Project released its first tango fusion album in 2000,
quickly following with La Revancha del Tango in 2001. Bajofondo Tango Club, a Rioplatense music band consisting of seven musicians from Argentina and Uruguay, released their first album in 2002.
Tanghetto’s album Emigrante (electro tango) appeared in 2003 and was nominated for a Latin Grammy in 2004. These and other electronic tango fusion songs bring a component of revitalization to the tango dance, serving to draw in a younger group of dancers.
New tango songs
The dance of two Argentine tango street dancers in Buenos Aires.
In the last half of the 1990s, a movement of the latest tango songs was born in Buenos Aires.
it had been mainly influenced by the old orchestra style instead of by Piazzolla’s renewal and experiments with electronic music. The novelty lies within the new songs, with today’s lyrics and language, which find inspiration during a big variety of up to date styles.
In the 2000s, the movement grew with prominent figures like the Orquesta Típica Fernandez Fierro, whose creator, Julian Peralta, would later start Astillero and therefore the Orquesta Típica Julián Peralta.
Other bands even have become a part of the movement like the Orquesta Rascacielos, Altertango, Ciudad Baigón, also as singer and songwriters Alfredo “Tape” Rubín, Victoria di Raimondo, Juan Serén, Natalí de Vicenzo and Pacha González.
Main article: Ballroom tango
Ballroom tango illustration, 1914
Ballroom tango, divided in recent decades into the “International” and “American” styles, has descended from the tango styles that developed when the tango first went abroad to Europe and North America.
The dance was simplified, adapted to the preferences of conventional ballroom dancers, and incorporated into the repertoire utilized in International ballroom dancing competitions.
English tango was first codified in October 1922, when it had been proposed that it should only be danced to modern tunes, ideally at 30 bars per minute (i.e. 120 beats per minute – assuming a 4
Subsequently, English tango evolved mainly as a highly competitive dance, while the American tango evolved as an unjudged social dance with stress on leading and following skills. This has led to some principal distinctions in basic technique and elegance.
Nevertheless, there are quite a few competitions held within the American style, and in fact, mutual borrowing of technique and dance patterns happens all the time.
Ballroom tangos use different music and styling from the tangos from the River Plata region (Uruguay and Argentina),
with more staccato movements and therefore the characteristic head snaps. the top snaps are totally foreign to Argentine and Uruguayan tango,
and were introduced in 1934 under the influence of an identical movement within the legs and feet of the tango from the River Plate, and therefore the theatrical movements of the pasodoble.
This style became very fashionable in Germany and was soon introduced to England. The movements were very fashionable with spectators, but not with competition judges.
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Main article: Finnish tango
Arja Koriseva at the 2004 Tangomarkkinat in Seinäjoki, Finland
Tango arrived in Finland in 1913. The tango spread from the dominant urban dance form to become hugely popular across Finland within the 1950s after war I and war II. The melancholy tone of the music reflects the themes of Finnish folk poetry; Finnish tango is nearly always during a minor mode.
The tango is danced in very close full thigh, pelvis, and upper body contact during a wide and powerful frame, and features smooth horizontal movements that are very strong and determined. Dancers are very low,
allowing long steps with none up and down movement, although rises and falls are optional in some styles. Forward steps land heel first except when descending from an increase, and in backward steps,
dancers push from the heel. In basic steps, the passing leg moves quickly to rest for a flash on the brink of the grounded leg. Dips and rotations are typical. there’s no open position,
and typically feet stay on the brink of the ground, except in dips the follower might slightly raise the left leg. Unlike in some Latin American tango styles, in Finnish tango, there’s no kicking of any kind, and there are not any aerials.
The annual Finnish tango festival Tangomarkkinat draws over 100,000 anglophiles to the central Finnish town of Seinäjoki; the town also hosts the Tango Museum.
Comparison of Technique
Argentine, Uruguayan, and Ballroom Tango use very different techniques. In Argentine and Uruguayan tango, the body’s center moves first, then the feet reach to support it.
In ballroom tango, the body is initially set in motion across the ground through the flexing of the lower joints (hip, knee, ankle) while the feet are delayed, then the feet move quickly to catch the body,
leading to snatching or striking action that reflects the staccato nature of this style’s preferred music.
In tango, the steps are typically more gliding but can vary widely in timing, speed, and character, and follow no single specific rhythm.
Because the dance is led and followed at the extent of individual steps, these variations can occur from one step to subsequent.
this enables the dancers to vary the dance from moment to moment to match the music (which often has both legato and/or staccato elements) and their mood.
The Tango’s frame, called an abrazo or “embrace”, isn’t rigid, but flexibly adjusts to different steps, and should vary from being quite close, to offset during a “V” frame, to open. the pliability is as important as is all movement in dance.
The American Ballroom Tango’s frame is flexible too, but experienced dancers frequently dance in closed position: higher within the elbows, tone within the arms and constant connection through the body.
When dancing socially with beginners, however, it’s going to be better to use a more open position because the close position is just too intimate for them.
In the American Tango open positions may end in open breaks, pivots, and turns which are quite foreign in Argentine tango and International (English) tango.
There is a closed position as in other sorts of ballroom dancing , but it differs significantly between sorts of tango. In Tango from the River Plata region, the “close embrace” involves continuous contact at the complete upper body, but not the legs. In American Ballroom tango, the “close embrace” involves close contact within the pelvis or upper thighs, but not the upper body. Followers are instructed to thrust their hips forward, but pull their upper body away and shyly look over their left shoulder once they are led into a “corte”.
In tango from the River Plate region, the open position, the legs could also be intertwined and hooked together, within the sort of Pulpo (the Octopus). In Pulpo’s style, these hooks aren’t sharp, but smooth ganchos.
In Tango from the River Plata, Uruguay, and Argentina, the ball or toe of the foot could also be placed first. Alternatively, the dancer may take the ground with the whole foot in a cat-like manner.
within the International sort of Tango, “heel leads” (stepping first onto the heel, then the entire foot) are used for forwarding steps.
Ballroom tango steps stay on the brink of the ground, while the River Plata Tango (Uruguayan and Argentine) includes moves like the boleo (allowing momentum to hold one’s leg into the air) and gancho (hooking one’s leg around one’s partner’s leg or body) during which the feet travel off the bottom.
Both Uruguayan and Argentine tango features another vocabulary foreign to the ballroom, as the parade (in which the leader puts his foot against the follower’s foot), the arrastre (in which the leader appears to tug or be dragged by the follower’s foot), and a number of other sorts of sacada (in which the leader displaces the follower’s leg by getting into her space).
Casual Argentine tango dancing outdoors
Music and dance elements of tango are popular in activities associated with gymnastics, ice skating, synchronized swimming, etc., due to its dramatic feeling and its cultural associations with romance.
For the 1978 FIFA World Cup in Argentina, Adidas designed a ball and named it Tango, likely a tribute to the host country of the event. This design was also utilized in the 1982 FIFA World Cup in Spain as Tango Málaga, and in 1984 and 1988 UEFA European Football Championships in France and West Germany.
Tango in society
Tango appears in several aspects of society: Regular milongas and special festivals. a really famous festival is that the Tango Buenos Aires Festival y Mundial in Buenos Aires also referred to as the World tango dance tournament.
On a regional level, there also are many festivals inside and out of the doors of Argentina. One local festival outside Argentina is Buenos Aires within the Southern Highlands in Australia.
Gender and Tango
Typically the tango is performed between a person and a lady, however, the 2 have very different aspirations within the tango.
Women often looked to the tango to assist them to gain confidence and to assist them to find a possible relationship. Men however looked to the tango for intimate reasons and were known to be flirty and sexually willing.
Women, however, were primarily focused on the dance itself and have become wealthy. As time went on and therefore the tango culture changed, women and men often wanted to travel and compete and also teach tango classes then both women and men are viewed as equals.
Gender roles also play an enormous part within the mechanics of tango thanks to the tango needing a pacesetter.
But in additional recent times, this is often being challenged thanks to women not eager to be hooked into the male for the dance.
within the early 1900s, there have been often more male dancers than female therefore the dance was performed between two men.
This allowed for both men to find out the leading and following roles of tango and adapt to both leads equally within the dance. This changed the mechanics of the dance to be closer to 2 equally leading roles between men and ladies or same-sex pairs.
It has been suggested that tango makes people feel more relaxed, sexier, and fewer depressed, and increases testosterone levels.
Dance targets six main areas considered to be important for top quality of life and successful aging:
spirituality and mindfulness
emotional and academic health
While all kinds of dance confer some sorts of benefits, Argentine tango dancing, especially, has documented evidence that these areas are improved in both healthy and disabled populations.
Tangolates is an exercise method that mixes the core stability of Pilates with the concentration, coordination and fluid movement of tango, designed in 2004 by Tamara Di Tella. Utilizing a partner-method and incorporating the aerobic or cardio element of music, it started as a rehabilitation technique for patients with severe dysfunctions of the systema nervosum .
Tango in film
Argentine tango is the main subject in these films:
Kaatru Veliyidai (2017) directed by Mani Ratnam with the song Tango Kelayo composed by Oscar winner A.R. Rahman and lyrics written by 5 national award winner vairamuthu.
Adiós Buenos Aires (1938)
Tango: El Exilio de Gardel/Tangos: The Exile of Gardel (1985), starring Philippe Léotard, directed by Fernando Solanas
Tango Bar (1988), starring Raúl Juliá
The Tango Lesson (1997), starring Sally Potter and Pablo Verón, directed by Sally Potter
Tango (1998), starring Cecilia Narova and Mía Maestro, directed by Carlos Saura
Assassination Tango (2002),
Orquesta Típica (2005), a documentary about typical orchestra Fernandez Fierro, directed by Nicolas Entel
12 Tangos – Adios Buenos Aires (2005), directed by Arne Birkenstock
Tango libre (2012), directed by Frédéric Fonteyne
Vaje v object / Practice in an embrace (2012), directed by Metod Pevec
A number of films show tango in several scenes, such as:
The Threepenny Opera (Die 3-Groschen-Oper) (1931), directed by G. W. Pabst, has a number called Tango Ballade.
The Plow That Broke the Plains (1936), directed by Pare Lorentz.
The Four Horsemen of the Apocalypse (1921), starring Rudolph Valentino and Alice Terry, directed by Rex Ingram.
L’amore in città (1953), segment “Paradise for 3 hours” (Paradiso per the ore), directed by Dino Risi, starring nonprofessional actors, featuring an extended sequence during a ballroom, where a fanatical tango of Mario Nascimbene is played.
Il Conformista (1970), starring Jean-Louis Trintignant and Dominique Sanda, directed by Bertolucci.
Last Tango in Paris (1972), starring Marlon Brando and Maria Schneider, directed by Bertolucci.
The World’s Greatest Lover (1977), starring Gene Wilder (who also directed), Carol Kane, and Dom DeLuise.
Death on the Nile (1978), Peter Ustinov and Olivia Hussey tango whilst David Niven is that the unfortunate partner to Angela Lansbury’s rather eccentric version of the dance.
Tango (1981), a brief animation film by Zbigniew Rybczynski. Received an Oscar for Best Animated Short Film, Academy Awards 1982.
Never Say nevermore (1983), starring Sean Connery and Kim Basinger, directed by Irvin Kershner.
Naked Tango (1990), starring Vincent D’Onofrio and Mathilda May, directed by Leonard Schrader.
The scent of a lady (1992), Al Pacino as blind Colonel dances Argentine Tango.
Strictly Ballroom (1992), directed by Baz Luhrmann.
Addams Family Values (1993), Raul Julia, and Anjelica Huston dance tango so passionate that it literally burns the ground and makes all the champagne bottles within the nightclub pop their corks.
Schindler’s List (1993), starring Liam Neeson.
True Lies (1994), starring Arnold Schwarzenegger, Jamie Lee Curtis, and Tia Carrere, directed by James Cameron.
Evita (1996), Madonna, and Antonio Banderas dance a ballroom tango.
Happy Together (1997), directed by Wong Kar-wai.
Moulin Rouge! (2001), featuring Ewan McGregor and “El Tango de Roxanne”.
Waking Life (2001), directed by Richard Linklater.
Le Tango Des Rashevski (2002).
Chicago (2002), starring Renée Zellweger, Catherine Zeta-Jones, and Richard Gere, directed by Rob Marshall includes a song titled “The Cell Block Tango” and is accompanied by a dance.
Frida (2002), Salma Hayek, and Ashley Judd dance the tango to the Lila Downs performed song “Alcoba Azul”.
Shall We Dance (2004), starring Richard Gere, Jennifer Lopez, and Susan Sarandon, directed by Peter Chelsom.
Madonna featured choreography inspired by Argentina tango styles for the Die Another Day section of her 2004 Re-Invention Tour. Segments of the 2005 documentary I’m getting to Tell You A Secret show this choreography in use.
Rent (2005) had Anthony Rapp and Tracie Thoms perform a semi-elaborate ballroom tango within the song “Tango: Maureen” to explain their emotional relations and issues over a promiscuous girl they both dated.
Mad Hot Ballroom (2005), a documentary directed by Marilyn Agrelo.
Love and Other Disasters (2006): Jacks (Brittany Murphy) and Paolo (Santiago Cabrera) perform a tango together.
Take the Lead (2006), starring Antonio Banderas, directed by Liz Friedlander.
Another Cinderella Story (2008), starring Selena Gomez and Drew Seeley. Performed during the Black and White Ball within the scene where Mary drops her Zune.
Easy Virtue (2008), during which Jessica Biel and Colin Firth dance the tango.
Step Up 3D (2010), during which Rick Malambri, Sharni Vinson, and a few of the supporting characters at a ballroom, dance tango to Jazmine Sullivan’s Bust Your Windows.
Pixilation II (2011), short animation film by Kambras.
Finnish tango is featured to a greater or lesser extent within the following films:
Onnen maa (1993), starring Pertti Koivula and Katariina Kaitue, directed by Markku Pölönen.
Levottomat (2000), starring Mikko Nousiainen and Laura Malmivaara, directed by Aku Louhimies.
Tulitikkutehtaan tyttö (1990), starring Kati Outinen, directed by Aki Kaurismäki.
Mies vailla menneisyyttä (2002), starring Markku Peltola and Kati Outinen, directed by Aki Kaurismäki.
Varjoja paratiisissa (1986), starring Matti Pellonpää and Kati Outinen, directed by Aki Kaurismäki.
Kuutamolla (2002), starring Minna Haapkylä and Laura Malmivaara, directed by Aku Louhimies.
Tango Kabaree (2001), starring Martti Suosalo and Aira Samulin, directed by Pekka Lehto.
Minä soitan sinulle illalla (1954), starring Olavi Virta, directed by Armand Lohikoski.
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